Geese

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Geese

about the artist

New York City's Geese return with their highly anticipated 3rd studio album, 'Getting Killed.' After being approached by Kenneth 'Kenny Beats' Blume at a music festival, Geese tracked the album in his LA studio over the course of ten fast-paced days. With scant time for overdubbing, the finished project emerges as something of a chaotic comedy, shambolic in structure but passionately performed, informed by an exacting vision. Garage riffs are layered upon Ukrainian choir samples; hissing drum machines pulse softly behind screeching guitars; strange, lullaby-esque songs are interspersed with furious, repetitive experiments. With 'Getting Killed,' Geese balances a disarming new…

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New York City's Geese return with their highly anticipated 3rd studio album, 'Getting Killed.' After being approached by Kenneth 'Kenny Beats' Blume at a music festival, Geese tracked the album in his LA studio over the course of ten fast-paced days. With scant time for overdubbing, the finished project emerges as something of a chaotic comedy, shambolic in structure but passionately performed, informed by an exacting vision. Garage riffs are layered upon Ukrainian choir samples; hissing drum machines pulse softly behind screeching guitars; strange, lullaby-esque songs are interspersed with furious, repetitive experiments. With 'Getting Killed,' Geese balances a disarming new tenderness with an intensified anger, seemingly trading their love of classic rock for a disdain for music itself.

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